UC Berkeley: Art Practice
Para inscribirse en unas Summer Sessions en UC Berkeley, debes seleccionar 1 o 2 cursos de Summer Sessions. A continuación puedes ver todos los cursos del área Art Practice; contenido y horario.
Recomendamos:
1.- Ver en que sesión (fechas y duración) se imparte cada uno de los cursos de esta área.
2.- Cuando sepas los cursos que más te interesan comprueba el horario para que no se solapen entre ellos.
DURACIÓN FECHAS SESSION
3 semanas Julio 23 - Agosto 10 Session E
6 semanas Julio 2 - Agosto 10 Session D
8 semanas Junio 18 - Agosto 10 Session C
10 semanas Junio 4 - Agosto 10 Session B
6 semanas Mayo 21 - Junio 29 Session A
REQUISITOS: Nivel Avanzado, TOEFL 79iBT, CAE, IELTS 6.5
Cursos de Art Practice:
| Art Practice | nº de creditos | duración en semanas | Sesión | |
| Introduction to Visual Thinking | 4 | 6 | A | D |
| The Language of Drawing | 4 | 6 | A | D |
| Approaches to Painting | 4 | 6 | A | D |
| Drawing and Composition | 4 | 6 | A | |
| Global Perspectives in Contemporary Art | 4 | 6 | D | |
| Approaches to Sculpture: Ceramics | 4 | 6 | D | |
| Foundations of Digital Photography | 4 | 6 | A | D |
| Digital Video: The Architecture of Time | 4 | 6 | A |
Precios INTERNATIONAL REGISTRATION FEE: 685 € PRECIO CURSO: Desde 1.250 € | ||||||
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| TIPO DE ALOJAMIENTO | DURACIÓN | FECHAS | | PRECIO | ||
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| Campus P.C. | 3 semanas | Jul 23 - Ago 10 | | 1.650,00 € | ||
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| Campus P.C. | 6 semanas. | May 21 - Jun 29 // Jul 3 - Ago 10 | | 2.660,00 € | ||
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| Campus P.C. | 8 semanas. | Jun 18 - Ago 10 | | 3.520,00 € | ||
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| Campus P.C. | 10 semanas | Jun 4 - Ago 10 | | 4.440,00 € | ||
ART PRACTICE
Introduction to Visual Thinking
Session: May 21 - June 29
Session: July 2 - August 10
Two and one-half hours of lecture and fifteen hours of studio for six weeks.
A first course in the language, processes, and media of visual art. Course work will be organized around weekly lectures and studio problems that will introduce students to the nature of art making and visual thinking.
The Languge of Drawing
Session: May 21 - June 29
Session: July 2 - August 10
Four and one-half hours of studio for six weeks.
A study of drawing as a tool for articulating what the eyes, hand, and mind discover and investigate when coordinated. Some sessions will be devoted to drawing the human figure. Lectures and demonstrations introduce students to techniques and varied applications.
Approaches to Painting
Session: May 21 - June 29
Session: July 2 - August 10
Four and one-half hours of studio for six weeks.
Inquiry into concepts of order, process, and content as related to human experience. While faculty contact with students is highly individualized, the course involves group critiques and lectures as well as assigned field trips. Lectures and demonstrations introduce students to techniques and varied applications.
Drawing and Composition
Session: May 21 - June 29
Four and one-half hours of studio for six weeks.
Advanced drawing and composition, color and black-and-white, primarily on paper. 117 or 118 is required of all art majors. Lectures and demonstrations introduce students to techniques and varied applications.
Global Perspectives in Contemporary Art
Session: July 2 - August 10
Approaches to Sculpture: Ceramics
Session: July 2 - August 10
Six hours of lecture and eleven hours of studio for eight weeks. Eight hours of lecture and fifteen hours of studio for six weeks.
An opportunity to learn the many ways of shaping and giving form to wet clay, then making it permanent by firing it. Illustrated talks will examine the ideas that have engaged ceramic sculptors in many traditions and the processes that they have used to expand them. Lectures and demonstrations introduce students to techniques and varied applications.
Foundations of Digital Photography
Session: May 21 - June 29
Session: July 2 - August 10
Sixteen hours of lecture/studio per week for six weeks.
While digital photography has simplified the process of taking and sharing pictures, the challenges of image composition, visual storytelling, and image sequencing remain at the center serious photography. In this course, students who have a working knowledge of photography and who have access to a digital camera learn to compose and sequence images beyond the stereotypes of popular photography. The course covers essential topics such as lighting, timing, composition, image sequencing, history of photography, potential and limitations of mechanical reproduction, photography and fine art, alternative tradition and digital image processes. All student work will be shared and reviewed online; classes are 33% lecture, 33% studio work, and 33% group critique.
Digital Video: The Architecture of Time
Session: May 21 - June 29
Nine hours of studio for six weeks.
This hands-on studio course is designed to present students with a foundation-level introduction to the skills, theories, and concepts used in digital video production. Non linear and non destructive editing methods used in digital video are defining new "architectures of time" for cinematic creation and experience and offer new and innovative possibilities for authoring new forms of the moving image. This course will expose students to a broad range of industry-standard equipment, film and video history, theory, terminology, field, and post production skills. Students will be required to gain techinical mastery of the digital media tools introduced in the course.
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